Anyone who wants to make a living from performing has, at some point, to make a transition in the way they view the work they do.
Magicians start with tricks. These are simply the units of our trade. The thing we do that is different from everybody else. Accountants do the books, brick-layers lay bricks and magicians do tricks. The professional performer however has to stop seeing what they do as a series of tricks and has to start thinking of them as effects. Why? Because the moment he does he has acknowledged the audience.
I can do a trick to my self and because I know the workings, (okay “the magic”), it can never be an effect for me, it will always be a trick. I must know what the effect is, and I have to consider what reaction it will evoke, but it is always from the moment I know the secret, a trick. An effect needs an audience and an audience needs effects.
So what is the difference? How do you make a trick an effect? The answer, or one of them, is to consider the “white space” that every trick provides. This is the same white space that experiential marketers consider when plotting the sequence of events that create a customer experience. They are the bits that don’t directly influence the trick but are fundamental to the effect. If the trick is simply demonstrated and the white space left white the magician has failed to maximise the effect, in fact they may have failed to consider the effect at all. An example may clear up what I’m talking about.
[WS]=White space.
[WS] A spectator selects a card. [WS] The card is returned to the pack. [WS] The cards are shuffled. [WS] The chosen card is found. [WS]
There are 4 phases in this trick but 9 opportunities to create an effect. A common approach is to crash through the white space opportunities and focus on the trick. The reason being that tricks are what magicians know best and many believe that this is the service they are being paid to provide. They eliminate over half of the effect in order to demonstrate a trick! Many people struggle to understand how they should fill the white space and unfortunately I can’t answer that for you because it is as individual as the performer. The thing to do is recognise the fact that there is white space there in the first place and then consider what the effect is that you wish to share. Great magicians may do the same trick but very often the overall effect is different. The trick is the trick, you are the effect.
So what do you do? I know you’re probably not a magician but if you’re in business then you are a performer. You know tricks that your clients don’t know and that’s why you’re in business. So ask yourself the question “what’s the effect I want to share?” then set about looking for the white space and making that the canvas for creating a great experience.





